The NIDO Patch Economy: Redefining Sustainable Artistry
The NIDO Patch Economy is a pioneering concept born from the vision of a Panamanian-American Designer deeply connected to the traditions and craftsmanship of Panama. Traditionally, Kuna molas are crafted in large sizes, requiring significant time, resources, and energy. At NIDO, we recognized the beauty and potential of smaller molas, creating a model that fosters sustainability, affordability, and inclusion.
Over time, we expanded this concept to include Ngäbe patches, celebrating the unique artistry of Ngäbe artisans and integrating their techniques into our designs. This inclusion enriched our collection and advanced our mission to honor and elevate diverse Indigenous textile traditions.
Empowering Artisans
By focusing on smaller patches, artisans can create sustainably, with fewer resources and lower upfront costs. This inclusivity opens opportunities for those who might otherwise be excluded from traditional markets.
Sustainable Innovation
Designing around smaller patches allows us to showcase the work of multiple artists in a single piece, fostering creativity and supporting a larger network of artisans. This creative challenge pushes us to innovate while celebrating traditional artistry.
Expanding Beyond Kuna Traditions
Our journey led us to embrace not only Kuna molas but also the vibrant contributions of Ngäbe artisans and Shipibo textile traditions from the Amazon. This collaboration reflects the spirit of cultural exchange and a commitment to showcasing Indigenous excellence.
Direct Collaboration
We work closely with intermediaries who gather patches directly from Indigenous artisans, ensuring fair representation and direct benefits for the artists. Whether from Kuna communities in the San Blas Islands, Ngäbe artisans, or Shipibo creatives, these partnerships ensure every piece tells a story of craftsmanship and cultural pride.
Transforming the Market
NIDO challenges the traditional market by adopting the patch as a central design element, introducing “outsider Indigenous art” in a way the world has never seen. Through this approach, we bridge cultures while preserving authenticity and respect.